Susan Jarratt, in "Feminist Pedagogy," brings the ever widening embrace of feminism into composition studies. She admits that little has been settled in this realm of pedagogy. But she is quick to point out that there are lots of questions that need to be answered. In fact, she likens the pedagogy in general to more "a set of questions than a list of practices" (124). Because I already have a set of questions, lots of sets of questions in fact, I wanted to see if I could turn this article into a list of practices. I started the experiment with my own students.
(They are so lucky. Every week they dragged through a different experimental pedagogy while their professor is desperately trying to sort them all out. Desperate is a loaded word...strike that from the record please...no one wants to be desperate.)
I have a background in feminist studies; so I feel prepared enough to perform this experiment. My disclaimer to all who don't; don’t try this in the classroom just yet. We'll work on it. I can come over and workshop it with you; collaboratively workshop it, that is. So I strolled on into class, fully aware of my gender which Judith Butler claims I have to perform all the time anyway, so I might as well start. I put on a skirt, so as to not confuse my students about my performance. Then I asked them to raise their hands if they were a feminist. Shocker. Not a hand in the cold, still air. But, alas, no worries. They just don't know what a feminist is. I reminded them of the classic definition of feminism and opened both doors so the flood, nay the deluge, of responses would not dam us all up. They did and said just what Jarratt claimed they would.
Feminism, while I was in the shower or driving to work or eating a hoagie, must have gotten all twisted up with the 'other F word'. I had no clue where the power hungry, bashing men, whining *** comments stemmed from. I did know though, that I had to set them straight. All one must be doing to be a feminist is pay attention (126). The world we live in is gendered and there is a hierarchy present. Whether or not one would like to the follow the oppression route, the class struggle, the race race, the master/slave dialectic or the disability fight, one should grasp that there is a slight problem with USA society. And apparently with every problem we can have a pedagogy. Feminist pedagogy studies gendered language, works with collaboration, recognizing that some men and some women write differently from each other based on growing up in a stereotypical society that molds the way they communicate. There is a politics to writing and if one were to take a feminist approach to that politics, one might be a guide rather than a master. And I am ok with that. Nurturing, supportive, caring: are all terms I am comfortable identifying with. And now that my students understand what it means to be a feminist, they are comfortable as well.